The meandering pace can get tedious at times, but cinematically it's a masterpiece.

~ Nicky Falkof -

The meandering pace can get tedious at times, but cinematically it's a masterpiece.

~ Nicky Falkof -

Low-budget charmer shows a different side and range to Owen Wilson.

~ Darren Amner -

Funny, moving and endlessly surprising.

~ Anton Bitel -

Funny, moving and endlessly surprising.

~ Anton Bitel -

Richard Farnsworth gives one of those performances that redefines the use of the superlative.

~ Angus Wolfe Murray -

Richard Farnsworth gives one of those performances that redefines the use of the superlative.

~ Angus Wolfe Murray -

If late punk era filmmaking was all about style over substance, Alex Cox's seminal work has buckets of both.

~ Jennie Kermode -

If late punk era filmmaking was all about style over substance, Alex Cox's seminal work has buckets of both.

~ Jennie Kermode -

It is admirable that Verbinski has chosen to forgo 3D, as the spectacle he conjures in his various set-pieces is enough to have you ducking and diving already.

~ David Graham -

It is admirable that Verbinski has chosen to forgo 3D, as the spectacle he conjures in his various set-pieces is enough to have you ducking and diving already.

~ David Graham -

Pretty In Pink is an iconic film which made its mark largely through astute use of music and a real awareness of what was then going on in teenage fashion.

~ Jennie Kermode -

Pretty In Pink is an iconic film which made its mark largely through astute use of music and a real awareness of what was then going on in teenage fashion.

~ Jennie Kermode -

Having laid the foundations for a tense, realistic thriller, using documentary footage wherever possible, Sean Penn blows it with unnecessary camera tricks.

~ Angus Wolfe Murray -

Having laid the foundations for a tense, realistic thriller, using documentary footage wherever possible, Sean Penn blows it with unnecessary camera tricks.

~ Angus Wolfe Murray -

German director Wim Wenders allows Paris, Texas to unfurl with such assured calm that each delicate narrative revelation, no matter how trivial or terrible, seems a natural and almost obvious progression.

~ Niall McCallum -

German director Wim Wenders allows Paris, Texas to unfurl with such assured calm that each delicate narrative revelation, no matter how trivial or terrible, seems a natural and almost obvious progression.

~ Niall McCallum -

The performances are generally solid, the soundtrack and visuals wonderful and the ambition is vaulting, but it is ultimately a failed experiment.

~ James Benefield -

The performances are generally solid, the soundtrack and visuals wonderful and the ambition is vaulting, but it is ultimately a failed experiment.

~ James Benefield -

The film is soft to the core, deeply sentimental and too politically correct for its own good.

~ Angus Wolfe Murray -

The film is soft to the core, deeply sentimental and too politically correct for its own good.

~ Angus Wolfe Murray -

Potter manages to imbue Suzie's story with a feeling of anticipation, as if her life is fresh and innocent.

~ Angus Wolfe Murray -

Potter manages to imbue Suzie's story with a feeling of anticipation, as if her life is fresh and innocent.

~ Angus Wolfe Murray -

Deadpan absurdity, everyday madness and enlightenment through routine merge in an attempt to answer the big questions of life.

~ Anne-Katrin Titze -

Deadpan absurdity, everyday madness and enlightenment through routine merge in an attempt to answer the big questions of life.

~ Anne-Katrin Titze -

Imagery and sound are so closely wedded throughout that at times it seems meaningless to distinguish between the two.

~ Max Crawford -

Imagery and sound are so closely wedded throughout that at times it seems meaningless to distinguish between the two.

~ Max Crawford -

The nature of Harry Dean Stanton means that no documentary is ever going to get underneath his skin, yet director Sophie Huber does manage to crack his defensive wall on occasion.

~ Robert Munro -

The nature of Harry Dean Stanton means that no documentary is ever going to get underneath his skin, yet director Sophie Huber does manage to crack his defensive wall on occasion.

~ Robert Munro -

Undeniably watchable.

~ Max Blinkhorn -

Undeniably watchable.

~ Max Blinkhorn -

Bertrand Tavernier’s 1980 curio Death Watch remains a chilly and enigmatic film, one which is hard to love but not hard to admire.

~ Robert Munro -

Bertrand Tavernier’s 1980 curio Death Watch remains a chilly and enigmatic film, one which is hard to love but not hard to admire.

~ Robert Munro -

This movie scores well on the quirky British movie scale.

~ Amber Wilkinson -

This movie scores well on the quirky British movie scale.

~ Amber Wilkinson -

Cassavetes could easily have made all this into a dead serious finger-wagging morality tale of wasted youth. Fortunately, he realises the potential for jet-black comedy.

~ Jeff Robson -

Cassavetes could easily have made all this into a dead serious finger-wagging morality tale of wasted youth. Fortunately, he realises the potential for jet-black comedy.

~ Jeff Robson -

The sheer unexplained terror of the Aliens is more than enough to make them watchable.

~ Andrea Mullaney -

The sheer unexplained terror of the Aliens is more than enough to make them watchable.

~ Andrea Mullaney -

Scott wrings out every last drop of suspense from the film.

~ Scott Macdonald -

Scott wrings out every last drop of suspense from the film.

~ Scott Macdonald -